There are many issues within Canada but, these are Essays

There are many issues within Canada but, these are the main ones. The Housing Market situation is getting worse with the prices going up, many people can not afford these houses. With these issues resolved Canada will become much better. Clear Cut Logging allows us to cut down tons of trees in one area and reseed it. However, this creates a problem for humans since it releases tons of carbon emissions and will create a bad environment for kids. Urban Sprawl makes it so that low density places become high density but creates many deficits can can impact youth and local businesses. The issue is getting worse and needs to be fixed. WHERE IS IT HAPPENING AND WHY THERE? The Housing Market is everywhere but the issue about it is the increase of prices and how people can't afford them. The CMAs of Canada are the main culprits for this, for example, Toronto has an average of around one million dollars to buy a detached home downtown. It's happening because the prices are increasing faster than wages. Making it so that, people are just not able to pay the one million dollars for a detached home. Another reason for this, is that the mortgage banks are making it so that they can create money by inputting numbers in their database instead of getting the money from savers to improve their profit output. Most people's jobs are in Toronto and they need to move further away so that they can have a place to stay. The housing market may crash quicker than most anticipated because of how rapid the prices are rising, then everyone would be losing out on money. This is why people need to start working on a way to fix it. WHO ARE THE MAJOR STAKEHOLDERS INVOLVED AND WHAT'S THEIR STANCE ON THE ISSUE? There are four main stakeholders involved in this, the buyers, the sellers, the realtors. The buyers are not able to buy homes, which is a huge problem for them since they need a place to stay. Even if they are able to afford the home it would be small and would need some work done. That would make pockets empty with no cash for people to spend on the important things in life like food and water. Without the buyers the sellers are in even more trouble. With the decline of buyers and more people leaning towards the condo and apartment life, the sellers have no where to go to. If they are selling the house to be able to move into another home than the house would have to be sold by the time they are supposed to move in or else, they'd be paying for two mortgages. The average time to sell a detached house within Toronto that needs approximately $100,000-$200,000 of work on it takes about "1-2 months" said by Neshan Gunaratnam from Relmax Ace Realty Inc. On the topic of of realtors, they are a major stakeholder since they are the ones selling the homes. If they don't sell the homes they get no commission. Also, if more and more people are trying to sell their homes but there's no buyers the realtors lose out on even more money since they are putting up the ads and posting posters with their own money to get the home sold. These three stakeholders need the market to change so that they are able to not worry about the market crash. WITH WHICH POINT OF VIEW OF THE STAKEHOLDERS ARE YOU MOST SYMPATHETIC TO? WHY? The stakeholder that I feel the most sympathetic to are the buyers. I feel that way because of they have no positives for the market being expensive. The sellers are going to sell their homes eventually for a high price. They have a place that they can call their own. The realtors are going to be able to get their commissions making them able to make their payments on time. However, the buyer doesn't have many options they either have to buy a good home that is a 3-hour drive away from where they work or pay so much to live in a low quality home near their work. If the amount is

European Union and Human Rights Laws †Global Law Essay

European Union and Human Rights Laws – Global Law Essay Free Online Research Papers European Union and Human Rights Laws Global Law Essay ‘Does European Union Law(EU law) sufficiently protect human right of an individual when infringed by domestic law?’, ‘When EU Law infringes human rights, are they sufficiently protected?’ I think ‘Sufficient’ protection is only given , if it is more than the protection given by member states and since the Community/Union has assumed supranational power, the standard should be of at least compatible with the ECHR . There is no provision in the EEC Treaty until the Treaty of European Union(TEU) which referred to respect for human rights and amendments of Treaty of Amsterdam (TA) declaring that the foundation of the Union is based on the respect for human rights and imposing threat of suspension on Member States rights if in breach . But since 1969, the European Court of Justice do assume to recognize the humans rights in the ECHR , international treaties and national legislation and declare that it draws its ‘inspiration ’ from them and measures incompatible cannot be upheld. Recently a draft ‘Charter on Fundamental Rights has been adopted and is supposed to have full legal effect, although it has not found a legal status, at least till the IGC this year. For clarification, I would like to separate the past into pre-TEU and post-TEU and the present as the status after the adoption of the draft ‘Charter’. In the past, the court has given more priority to community law than human rights even if they were protected by national legislation, international treaties and the ECHR. In Storks’ the claimant ‘rights of undertaking; were protected by German Constitutional law, but the Higher Authority refused to acknowledge it . In Stauders , the Court did recognize ‘rights to dignity’, and allowed ‘variation in the method of checking beneficiaries particulars.’ In International Fruit, the Court refused to accept the fundamental rights conferred under international treaties. The court had continued to accept fundamental rights sometimes and reject it sometime . Sometimes it had respected the fundamental rights in the constitution of the member states and the ECHR and sometime not .Even after TEU, there is no change in the Court’s attitude. In some cases the Court has respected human rights while in others not. Therefore, it is not the treaties or the ‘inspirations’ which the Court relies on to respect fundamental rights and in fact reference to it are only made for mere lip service, to justify their judgment or to sugar coat judgments which are absurd in light of fundamental rights. I think it would be more illuminating, to consider the circumstances and underlying reason for the court rejection and acceptance to see if fundamental rights are sufficiently protected. In the past, the European Courts has only upheld individuals claim of human rights in domestic courts, if the claim is within the ambit of EU law. In Defrenne , the Court declared that it has no jurisdiction . Similarly in Grogan and ERT . In Demirel , the ECJ said that the Treaty’ does not empower the community to guarantee commitments towards non-member country’. In the contrary, in similar claims by nationals of other member states, the Court has been more receptive . When the Court extends protection to an individuals claim of domestic infringement, it is only to protect rights conferred by EU legislation . The rights conferred under the directive may be in line with the European Convention on Human Right, but if one can remember the history of the treaties, the treaties was for their objective of ‘a common market’ and the ‘integration of Europe’ and not for the ‘protection of fundamental right’. I think it is a grave mis judgment, to conclude that by protecting rights in line with their aim, EU law ‘sufficiently protects’ fundamental human rights. EU law do not go the extra mile to really protect human rights which are infringed outside community law, but rather protect the rights conferred by EU Law and to ensure that the member states implements EU Law . The Courts have respected fundamental rights in staff cases . Staff cases involve internal management, where there is no issue of conflicting national legislation, EU law or Community’s objectives. By rendering protection it does not reduce their supremacy. How far ‘human rights’ are protected can only be seen in cases where the rights clearly conflicts EU Law and it objectives and threatens the existence of EU legislation and its supremacy? Human Rights v Community Aims and objectives In Germany v Council, although imposing a higher tax duty on imports of bananas from Third Countries is a clear breach of one’s right to property and freedom to pursue a trade or a profession, the court held that ‘ it may be restricted particularly in the context of a common organization market’. In Haver, although by preventing the owner of a land to cultivate vines on it, EU law restricted one’s right to use his property, the Court justified it . HR vs legality of EU law EU law has never respected :the right to a fair trial† by refusing locus standi for direct actions which have been criticized by the Courts themselves. HR vs institutions action and decisions. In cases like Dow Benelux, Dow Chemical, the actions of the Commission , clearly infringed the applicants rights of defence, but the Court jusitified it as ‘ action as within its power’. In Orkem , the commission’s decision to obtain further documents, after having conducted a search to substantiate the allegations was held to be within the scope of their power, although they clearly contravene the claimants rights to remain silent and self incrimination. These rights are fundamental in criminal proceedings and to deny this rights is too grave a breach. If the allegations by the commissions are proved, the claimant would be fined and therefore it cannot be differentiated from criminal proceedings. If criminals can have the rights, I cannot see the justification as to why the right cannot be given in cases involving infringement of community law, a law merely for economical reason. I think the EC rules on Competition are infringements of an individual’s freedom to conduct his business activity. I cannot see what is wrong if a seller should give discounts to increase his sales , which is common in every market and it is fundamentally wrong to impose restriction. The commissions’ actions to control competition are aggravating the breach of those rights and the Courts by justifying the Commissions thrashes out such rights. In Case T 18/96 , 45 months of delay by the commission to act was upheld to be reasonable, while in ECHR it had been held that 17 months exceeds a reasonable time . Human rights vs Administrative convenience Any reasonable man would know that the deposit system, in Handelsgesllschaft , is unfair as no producers can predict his production, but the ECJ held that the deposit system is necessary for administrative convenience . Human rights vs the supremacy of European Union In the International Fruit case , the Court, to protect the supremacy of EU law and to prevent the striking off of the EC regulation, restricting the right to import apples from third country, concluded that GATT was ‘not capable of conferring on citizens of the Community rights which they can invoke before the courts’, while Directives can confers rights directly to the citizens of Member States . . In Nold, the Court claimed that the applicants condition was because of the economic change and not the commissions decision, but the claimant in Nold was in the same situation as the claimant in Stork. In Stork it rejected the claim on grounds of supremacy of Community Law, and by referring to respect for fundamental rights and putting the blame on economic changes in Nold, it is obviously an underhand method to maintain its supremacy. Of course there are cases where the court has given priority to fundamental rights , but those cases are clearly where the commission is at fault or has exercised their discretion in excess of their power . The limited cases where human rights are protected should not be construed as sufficient, because if not for EU law, the human rights would not have been infringed, therefore the Court should protect the rights above the community interest of ‘a common market’. After the adoption of the ‘Charter’, the Court and institution has shown some changes in its attitude. By an international decision , the commission has decided to form a compatibility review of it legislative proposal with the Charter. The Court had made reference to the Charter . It had rejected the inadmissibility argument by the commission and gave locus standi to an applicant to bring nullity proceeding against directives , rejected council’s and commissions refusal to grant access to documents . In domestic cases like, Carpenter , the ECJ gave opinion that ‘the decision to deport’ infringes the right of an overstayed philipine wife of a British National, to respect for her family life, although it recognizes that ‘the situation is rather to be classified as an international situtation, depends exclusively on UK’. Similarly in Baumbast . In Case 117/01 , the Court finds that there is inequality treatment which, although it does not directly undermine enjoyment of a right protected by Community Law’. But in some cases it has rejected claims of human rights. Therefore I cannot conclude that the Court has finally put human rights above community interest. Will the Charter and a constitution of Europe give sufficient protection to fundamental human rights? I don’t think codification of the treaties and the Charter into a written constitution, provides any kind of extra protection for human rights. It just gives a legal basis for the communities actions so that their validity cannot be challenged. It just eliminates the concept that Community Law is intended for a ‘common market’ and not to preserve human rights and the Courts need not have to draw their inspiration from ECHR because they have their own Charter. It is an attempt to preserve its supremacy . A look at the Charter shows that some rights specified there are rights rarely in conflict in the context of Community law , and some are rights which are already protected by the EC treaties , while some are re-enforcement of the objectives of the Union . Those rights which were often in conflict with the EU Law , have been subject to limitations and all other rights which are not specifically limited are subject to limitations on the â€Å"principle of proportionality† . The Charter is subjecting human rights to EU law and the discretion is on the European Court as to whether human right should prevail over EU law. European Union which cannot be literally called democratic, especially the commission, are not answerable for their decisions to the electorates of member states . When EU law infringes human rights in the future, the European Court should not be placed in a position to decide which one to give priority to, because one can never expect an impartial decision if the person who is making the decision has an interest in it. Sadly, any infringement of fundamental Human Rights by EU law cannot be brought against the Union in ECtHR as European Union is not a signatory. Therefore I don’t think the position would be any better than what it was in the past and I fear that the exercise and abuse of power by the Union is not being capable of being challenged after having entrenched the EU law in a constitutional document to which all member states are signatories. Article 51 states that the Charter is only applicable in the application of Union law. Therefore it is doubtfully that it provides a remedy for individuals whose rights are infringed by domestic law. As discussed, despite the Court’s claim of ‘inspiration’ derived from national legislation and ECHR, it has been more concern on the objective, functioning and supremacy of the EU rather than giving ‘sufficient’ protection for Human Rights, even if protected by other legislations. The ‘Charter’ cannot be triumphed as a solution as it is not an incorporation of ECHR in EU law. The only way fundamental rights can be sufficiently protected I EU law is to have an independent Court, not subjected to EU law, if possible ECtHR to have jurisdiction over European Court and EU related human right issues. Bibliography 1 The General Provisions of the Charter of Fundamental Rights of the European Union, R Alonso Garcia 2 Mapping Hunam Rihts, Reading the European Union, Andrew Williams 3 The duty to protect fundamental rights in the European Community, Liv Jaeckel 4 The Foundations of European Community Law, Hartley. 5 EU Law, Text, Cases and Materials, Craig and De Burca Research Papers on European Union and Human Rights Laws - Global Law EssayPETSTEL analysis of IndiaDefinition of Export QuotasQuebec and CanadaCapital Punishment19 Century Society: A Deeply Divided EraTwilight of the UAWInfluences of Socio-Economic Status of Married MalesTrailblazing by Eric AndersonRelationship between Media Coverage and Social andAppeasement Policy Towards the Outbreak of World War 2

11 Easy Steps for How to Draw a Dog

Easy Steps for How to Draw a Dog SAT / ACT Prep Online Guides and Tips Dogs are cute! Who hasn’t taken a moment to doodle their favorite pooch on the side of their paper before? But like many animals, dogs can be hard to draw well, especially from memory. If you are trying to up your drawing skill, this guide for how to draw a dog is for you! We’ll cover all the basics of learning to draw animals and dogs in particular, and walk you through drawing a dog step by step. 4 General Tips for Drawing Dogs and Animals Drawing animals can be really challenging! Living creatures are often harder to draw than static objects, as you want your animal drawings to be full of life. Here’s a few tips to get you started! Use References It might feel like cheating to use a reference, but it’s a-OK. Professional artists use references all the time to help their artwork feel more realistic. A reference photo will help you see what a dog looks like without trying to make a real dog sit still the entire time you’re working. There are so many kinds of dogs that it’s practically impossible to remember how to draw all of them. Even if they have similar skeletal structures (which isn’t always the case), their fur texture, eye shape, and size can vary pretty widely. You can take your own reference photos or use ones you find in books or online to help you get the details right. Study Anatomy You don’t have to go to veterinary school, but spending some time looking at animal anatomy will help you better understand how an animal sits, stands, and moves. Pay particular attention to the location of the spine, as this will help you figure out how the animal is shaped. When you know that, you’ll have an easier time positioning the head, legs, and tails appropriately. You can also get a better handle on their muscle structure, which is particularly helpful when drawing animals with short fur and pronounced muscles. Though you don’t need to replicate every detail in your drawing, understanding how an animal’s body works can make your drawings feel more lifelike, even in a cartoony style. Start With Simple Shapes Even complicated drawings are based on simple shapes. A light underdrawing that consists primarily of primary shapes is a great foundation for more detailed drawings; you can build on the basic shapes to help your drawing feel lifelike. Look at an animal’s anatomy and imagine it as several connected shapes. You might see a large oval for the ribcage and a rounded rectangle for the head, or an almost kidney bean-like shape for an animal’s leg. These are just guidelines- they’ll need refinement to really work in a drawing, but using these shapes to guide your work will help you stay on track as you’re drawing. Draw Lightly It takes time and effort to draw well. Start off with light pencil for sketching, and don’t be afraid to erase and try again. As you progress through the drawing process, you can erase your guidelines and draw in heavier pencil. This helps keep you on target and gets rid of the unnecessary lines. When you’re ready, you can go back over your drawing in ink or marker, and erase the pencil marks entirely. That ensures that only the lines you want are visible! This also works for digital illustration. Using layers in illustration programs, you can have underdrawings and layers of increasing detail, which can be turned off when you no longer need them. With practice, you'll soon be doing way better than this. How to Draw a Dog: The Simple Method Even when you’re drawing a simple dog, it’s smart to have an understanding of basic dog anatomy. It might sound silly or unnecessary, but even cartoony drawings need to be based in reality to look right. As mentioned above, take some time to look at dog anatomy and learn the basic shapes that make a dog up to help you make even a simple dog look great! Because there are so many kinds of dogs, we can’t provide a tutorial for how to draw all of them. Instead, here’s a simple guide for drawing a sitting dog that can be adjusted depending on what kind of dog you’re drawing. A modest beginning. Sketch the Muzzle All you need is an oval to start with. Don’t get caught up in making it look perfect- you can make adjustments to it later. Also, don’t worry about details. Just get a circle down and we’ll add to it later, once we have the body done. It doesn't look like much yet... Draw the Head Sketch the shape of the head around the oval you’ve drawn for the muzzle. Again, it doesn’t have to be perfect, because you can change it at any time. You can change the shape depending on how you want your dog to look. Some dogs have very round heads while others are more angular, but having the head oval in place gives you a structure to work around. Looking a bit more like a dog now. Add a Nose Dog noses are unusually shaped. They actually look a bit like mushroom slices, with an exaggerated flare at the bottom. You can start by drawing a sort of rounded triangle, then adding the nostrils to flesh it out. A simple nose or a detailed one can be equally effective depending on how detailed your drawing is. Making progress... Add Ears A dog’s ears can be a great source of expression! Depending on what kind of dog you’re drawing, the ears may be floppy, upright, or even cropped. Start with the basic shape and tweak it from there. Eyes make a big difference. Add Eyes Let’s keep it simple here- eyes are tricky to draw well! Two little ovals will do the job for now, so if we’re doing a simple cartoony drawing, we don’t have to get very detailed. You can add eyebrows to give your dog more of an expression. Dogs don’t have eyebrows exactly like we do, but some have eyebrow-like markings just above their eyes. Feel free to use your imagination! Okay, it's definitely a dog now. Add a Mouth Dogs have two rounded shapes beneath their noses that often turn upwards, making it look as though they’re smiling. You can draw these shapes as rounded ovals to make the dog look happier, or make them more angular and pointed downward to make your dog look more serious. In combination with the ears, the dog’s mouth is the best way to convey emotion. The egg-shaped body feels like a bit of a step backward. Add a Body The body looks a bit like an egg, with the top hidden behind the dog’s head. Again, draw it lightly and go over it later to add more detail. These legs leave something to be desired. Add Front Legs Draw two straight lines and add a little oval at the end for the paw. You can embellish these with spots or fur, but the basic shape is just two sets of two lines with a little oval at the end. I wanted a husky-like tail, even if it looks a bit like a banana right now. Add a Tail What kind of tail a dog has depends on its breed. You can draw a skinny tail, a fluffy one, or no tail at all depending on what kind of dog you’re drawing. These legs are a little on the abstract side. Add Back Legs Back legs are a little more difficult to visualize, but think back to the anatomy of a dog. The dog’s thigh is kind of like a tilted oval, and the foot and lower leg are like an elongated, squashed oval. All these are just sketch lines, so if they look a little funky now, that’s okay- you can fix them up with detail later on. Details and ink definitely help the doggy appearance. Add Details and Finish Up Now that you have the basic structure of your dog, you can touch things up with detail, erase all your sketch lines, and outline in ink. Some things to add to make your dog look more lifelike and cute are color, fur textures, and whiskers. Take a look at real dogs and see the features that make them unique, then make adjustments to yours to make it look special, too! How to Draw a Dog: The Detailed Method Drawing a detailed dog is a lot like drawing a simple dog, though it will likely take you more time and effort. Again, understand the simple shapes that make up a dog. Look at skeletal structure and muscle groups to help you understand what they look like under all that fur, as those are the features you’ll start with before you add more detail. First and foremost: start simple. It’s easier to draw a familiar yellow lab than it is to draw something more complex, like a Puli. That goes for shapes, too. Underdrawing is even more important when drawing detailed dogs than it is for simple dogs, even if you feel like you’re erasing most of the work. And erasing is a big part of drawing detailed dogs. You probably won’t get it perfect the first time, but that’s okay! The dog up above was my first attempt, and if I continued to practice I would get better. Erase and try again and again. You might not notice your skill improving, but every drawing you do brings you closer to the artist you want to be. This beautiful dog is going to be our reference photo. Start With a Reference You can use your own photo or one you find online, but add your own embellishments and tweaks to really make it your own. You don’t need to trace, though you can if you’re just starting out and want to get a better grasp on what dogs look like. It’s not wrong to learn by tracing, but it’s a good idea to use those drawings as practice unless you took the photo yourself. Many artists take their own reference photos. If you can’t, you can use one you find online, but aim to make your drawing substantially different from the reference if you plan to use the picture for something other than practice. Starting with a reference photo lets you work off of an existing image, which can help your drawing be more accurate. Use what you know of skeletal structure so you can better draw the shapes that make up a dog. Not very impressive. Outline Shapes Naturally, dogs are made up of many complex parts. But when you’re starting your drawing, just focus on the basics- the shapes that make up the basic form of a dog. If you were to just imagine a dog’s silhouette, you might see a rounded rectangle for the head, a large oval of the chest, and another oval for the hindquarters. Start with a line to keep the body parts aligned. The line can be straight or slightly curved, depending on what position you’ll draw the dog in. Then draw the basic shapes at their appropriate places, centering them on the line. After some redrawing, we have the basic form of the dog in our photo. Outline Shapes for Larger Features Now that you have the basic dog shape down, you can add just a little more detail. Focus on drawing the larger features of a dog- the snout, feet, and legs. Again, draw shapes rather than detailed features, as you’ll add all the little stuff later. Fill in the places where those features meet the body, and connect the larger sections of the body together. You’ll flesh all of this out later on; for now, you just want it to look like the basic silhouette of a dog, not something instantly recognizable as whatever breed of dog you’re trying to draw. This dog is more muscular than furry, so I focused on the muscles. Add Body Contour Now’s the time to start getting into detail, mostly in the body. Add some rough structure to the body, such as muscle definition for short-haired dogs or fur outlines for long-haired dogs. Look at where the breed is thicker or thinner, and emphasize those areas of the body. Look at where fur gathers on images of the type of dog you’re drawing, and also where muscles are more visible. Those are the areas to emphasize here, but, as always, don’t get too invested in details yet. Also take a moment to draw the legs and feet in more detail. Add toes and fur, if necessary, so you have a clearer picture of what the final dog will look like. Hey, that's a dog! Erase Unnecessary Lines Get rid of the guidelines you used, as from now on you’ll mostly be fleshing out details and shading. You’ve spent enough time on the basic shape, adding some fur and details, that you no longer need your initial shapes and guidelines. Now’s the time to add basic outlines for the dog’s ears, eyes, nose, and snout details. Get their placement and shape right, and be sure they look similar to those in your reference photo. This will probably take some time. Don’t get frustrated if you have to draw and redraw these features several times- these are details that are important to get right, but that can be quite tricky to execute well. You might have to do a lot of practice, but it’ll be worth it in the end! Add Fur Texture Now you can add fur and fluff to the details you added in the last step. Add a little fur to the ears or little tufts on the legs. If you’re not drawing a particularly shaggy dog, add more muscle definition. Use shading to emphasize where the dog’s muscles would show, and sketch out areas where the dog is more muscular to make it look more realistic. Just as you’ve done throughout the drawing, start with general details before you get into the smaller ones. Go for general fur shape, then add fuzzier patches. Get the general body shape and muscle structure done, then add muscles that are in use given your reference photo’s pose. It's not perfect, but that just means it's time to practice! Finishing Touches You’re almost done! Take some time to add additional details to things like the dog’s nose and eyes, and add teeth or a tongue depending on whether the dog’s mouth is open. You can also add spots or other color patterns if your dog has them. Just shading will accomplish this, or you can use full color to give your picture even more pop. However, it is possible to get too detailed. Some artists draw intensely detailed images while others are a little more sparing. Both are great art styles, so don’t feel like adding tons of detail is the only way to make your art look realistic and interesting! Additional Tips for Drawing Dogs Once you've got the basics down, drawing a dog is a matter of practice. Keep trying to improve, even when it feels like your skill isn’t getting better. But if you need some additional help in drawing certain parts or certain kinds of dogs, consider these tips! How To Draw a Dog’s Face Drawing a dog’s face can be particularly tricky- we want our drawing’s faces to be as expressive and cute as real dogs. Understanding what a dog’s skull is like is a great first step, as you’ll be able to see what parts move, what parts don’t, and where important features like the ears and eyes sit. Outline the basic shape before adding features. You can block them in using lines to be sure that they’re all aligned properly. As with the rest of the dog, start with the broader details and then fill in the specific ones. Start with the shape of the eyes, for example, and refine them until they look right. Then add the iris and pupils as well as surrounding fur. You can always make changes, but it’s easier to start with the larger details and fill in the specific ones than end up having the erase everything because you can’t get the shape to look right after you’ve drawn the details. How to Draw a Puppy Puppies are a lot more than miniature dogs- they have different features, which means there are special considerations to keep in mind when drawing them as opposed to adult dogs. For one, puppies often have proportionally larger paws than adult dogs. Drawing the paws a bit larger is a good way to clue people into the fact that you’re drawing a puppy! Puppies are also generally a little chubbier, with more rounded bodies. Though some might be a little muscular, for the most part puppies will be more rounded- combined with other puppy features like larger paws, a rounded body can make a dog look younger. Some breeds also have gangly legs, especially as they begin to grow into adolescents. A few adult breeds, such as borzois and greyhounds, may look gangly as adults, but many dogs get that same look as they’re growing up. It’s okay to make your puppy drawings look a little awkward- it’s true to life! Another good detail for puppies is that their eyes often look proportionally larger than those of adult dogs. This is a common feature of baby animals, and it’s part of the reason that people love them so much. A large head, round eyes, and smaller nose and mouth remind us a lot of human babies, so use those features to make your puppy drawings look even cuter! What’s Next? Don't be afraid to experiment with different styles when drawing dogs. Check out this guide to how to do contour line art and try out a whole new art direction! Not sure what to draw now that you've mastered dogs? This list of 100 different drawing ideas is sure to help. Drawing is a great hobby, but it can also make you money. Check out this list of art scholarships to help you turn your skills into cash for college! Have friends who also need help with test prep? Share this article! Tweet Melissa Brinks About the Author Melissa Brinks graduated from the University of Washington in 2014 with a Bachelor's in English with a creative writing emphasis. She has spent several years tutoring K-12 students in many subjects, including in SAT prep, to help them prepare for their college education. 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You are to write a two-page paper critiquing the music in a film of Essay

You are to write a two-page paper critiquing the music in a film of your choice. The pieces of music that you choose to critique within the film should be instrumental music, NOT songs (music with lyrics) - Essay Example This film was set up and staged in America. It depicts a story of a US Navy Aviation officer who engages into conflict following disagreements with Marine Corps Gunnery Sergeant. This was his personal instructor in the Aviation Officer Candidate School. The film, An Officer and Gentleman, starred seven characters including Richard Gere, Debra Winger, David Keith and Lisa Blount among others. The film depicts a mixture of themes, though most prominently featured is the theme of romance. However, in its extreme sense, the film concerns the blue-collar undermined and downtrodden individuals. This film precisely deals with the issues of heart in an astounding and incredible ways. This follows taking chances in every plot development issue, including the choice of music, instrumentals and characters. The music used in this film is thrilling. The musical instrumentals used to come up with this music were closely monitored, sound and rhythm assessed as well as melodiously tested before the final film production was made (Gordon, 2010). This has made the film even more interesting. The music, â€Å"Up Where We Belong†, has been rated the Best Original Song in the BAFTA Film Award making it emerge the winner. However, the legacy of this music, as well as the film as a whole, is based on the nature of instrumentals used. It is of critical importance to note that the instrumental music in this film worked superbly well following several reasons. The good instrumental work in the film was key in coming up with good chord progression in the music in the film (Gordon, 2010). It is of significant to note that a good instrumental music needs a superbly strong melody (Colson, 2012). In order to capture the interest and approval of the audience, the melody in the instrumental should be captivating, exciting and strong. The choice of melody in

Communicative maturity Essay Example | Topics and Well Written Essays - 1000 words

Communicative maturity - Essay Example Concisely, all these varied aspects of my life have curved me into a mature and ambitious individual that will be noteworthy and contributive in the life ahead. I have taken majors in Finance and Supply Chain Management, and it is my highest desire to continue my lifelong learning process that inclined me to attend your Language School, one of the most credible institutions. Since few decades, experts have indicated rapid advancement in the wave of globalization, and it has now become very imperative to be aware of other languages and cultures, essential for personal, as well as collective development and progress. Since I know that I have passion for language, I can learn French language in an effective manner. During these years, I have been managed my life through effective management of my responsibilities towards family, work, and school activities. In addition, as an immigrant, I worked very hard to learn English that was essential to be a part of American life. In this regard, English language allowed me to create relationships that I now enjoy and adore with my classmates, colleagues, and people around me. Moreover, English language enabled me to avail various opportunities in the United States that have now enhanced my quality of living. It is very important that an individual should set realistic objectives, and my desire to involve myself in a long-learning process has resulted in my application for learning French language. In other words, this language program will open new avenues.

Difference Between Greek and Roman Warfare :: essays research papers

DIFFERENCE BETWEEN GREEK AND ROMAN WAREFARE   Ã‚  Ã‚  Ã‚  Ã‚  The main difference between Greek and Roman warfare was the formations that they fought in. The Grecian armies all used the phalanx as a fighting formation while the Romans used the maniple. The phalanx was one mass formation that consisted of infantry eight deep. The maniple formation was actually a group of formations in a checkerboard pattern. Each maniple consisted of about 120 men and when employed in Italy, the Romans used thirty maniples. The maniple proved to be a better formation, because the phalanx left no room for maneuvering after engagement.   Ã‚  Ã‚  Ã‚  Ã‚  The Greeks basic soldier was a foot soldier that was trained for close combat. The basic combat soldier in Rome was a horse rider and an expert bowman. This was also due in part to the increase in technology as well. The Grecian hoplite would also carry a spear that compared to the Roman pilum as a predecessor. The pilum was much longer and could be thrown a lot further.   Ã‚  Ã‚  Ã‚  Ã‚  Another difference in warfare was the way that the different regions treated their opponents after a victory. The Greeks would enslave and control a defeated people while the Romans would not treat a defeated nation as slaves, but would â€Å"invite† them to ally and basically become part of Rome. This was the case of the Sicilians after they were defeated during the first Punic War.   Ã‚  Ã‚  Ã‚  Ã‚  The Roman Empire split into two different empires, the eastern or Byzantium and the western. The two empires mirrored each other politically, but not religiously. The Greeks never allowed themselves to split territory into two different powers, although some Greek city-states had dual kings, but never on a national level.   Ã‚  Ã‚  Ã‚  Ã‚  The political system of both Roman empires was based on virtue and the republic was founded with the Senate as the center. The magistrates were elected annually and also had control of the armies. The key to Roman superiority was the patriotism and training and drills.

Stonehaven Case Analysis

Stonehaven, Inc. Case Analysis March 19, 2013 Part A For this part of the analysis, consider each department in the Gdansk factory in isolation. Assume that the rest of the production system has no impact on the department you are considering. Assume that material handling times are negligible and ignore variability in processing times. 1. For the typical 100-pair batch, what is the daily capacity and manufacturing lead time within each of the following departments? a. Cutting 8 hrs/day x 60 min/hr = 480 min/day Machine 1 = (0. 05 x 4)(100) + (5. 25 x 4) = 41 min/batch Machine 2 = (0. 5 x 4)(100) + (5. 00 x 4) = 40 min/batch Machine 3 = (0. 04 x 4)(100) + (4. 00 x 4) = 32 min/batch Manufacturing Lead Time (MLT) = Since the machines work simultaneously, the MLT is 41 min/batch. Capacity = 480 min/day ? 41 min/batch = 11. 7 batches/day x 100 pairs/batch = 1170 pairs/day b. Stitching 8 hrs/day x 60 min/hr = 480 min/day Group 1 = (100/4) x 5. 0 = 125 min/batch Group 2 = (100/3) x 3. 0 = 100 min/batch Group 3 = (100/2) x 2. 5 = 125 min/batch Manufacturing Lead Time (MLT) = Because the components can’t move to the next group until the previous group is finished, the MLT is 5. min + 3. 0 min + 125 min = 133 min/batch. Capacity = 480 min/day ? 125 min/batch = 3. 84 batches/day x 100 pairs/batch = 384 pairs/day c. Lasting 8 hrs/day x 60 min/hr = 480 min/day Station 1 = 100 x 0. 7 = 70 min/batch Station 2 = 100 x 0. 6 = 60 min/batch Station 3 = 100 x 1. 0 = 100 min/batch Station 4 = 100 x 0. 9 = 90 min/batch Station 5 = 100 x 0. 3 = 30 min/batch Manufacturing Lead Time (MLT) = Because the components can’t move to the next group until the previous group is finished, the MLT is 0. 7 min + 0. 6 min + 1. 0 min + 0. min + 30 min = 33. 2 min/batch. Capacity = 480 min/day ? 100 min/batch = 4. 8 batches/day x 100 pairs/batch = 480 pairs/day Assumptions: My calculations are based on the assumption that the stamp time in the cutting process is per component. Therefor e, the time given is the time it takes to stamp 1 of the 4 components on one machine. Another assumption I have made is the workers performing the stitching are all equally paced. It takes each worker the exact same amount of time to perform their duties and pass the product along to the next group. 2.If the batch size were reduced to 10 pairs, what would be the daily capacity and MLT within each of the following departments? a. Cutting; b. Stitching; c. Lasting d. Cutting 8 hrs/day x 60 min/hr = 480 min/day Machine 1 = (0. 05 x 4)(10) + (5. 25 x 4) = 23 min/batch Machine 2 = (0. 05 x 4)(10) + (5. 00 x 4) = 22 min/batch Machine 3 = (0. 04 x 4)(10) + (4. 00 x 4) = 17. 6 min/batch Manufacturing Lead Time (MLT) = Since the machines work simultaneously, the MLT is 23 min/batch. Capacity = 480 min/day ? 23 min/batch = 20. 9 batches/day x 10 pairs/batch = 209 pairs/day . Stitching 8 hrs/day x 60 min/hr = 480 min/day Group 1 = (10/4) x 5. 0 = 12. 5 min/batch Group 2 = (10/3) x 3. 0 = 10. 0 min/batch Group 3 = (10/2) x 2. 5 = 12. 5 min/batch Manufacturing Lead Time (MLT) = Because the components can’t move to the next group until the previous group is finished, the MLT is 5. 0 min + 3. 0 min + 12. 5 min = 20. 5 min/batch. Capacity = 480 min/day ? 12. 5 min/batch = 38. 4 batches/day x 10 pairs/batch = 384 pairs/day f. Lasting 8 hrs/day x 60 min/hr = 480 min/day Station 1 = 10 x 0. 7 = 7 min/batch Station 2 = 10 x 0. 6 = 6 min/batchStation 3 = 10 x 1. 0 = 10 min/batch Station 4 = 10 x 0. 9 = 9 min/batch Station 5 = 10 x 0. 3 = 3 min/batch Manufacturing Lead Time (MLT) = Because the components can’t move to the next group until the previous group is finished, the MLT is 0. 7 min + 0. 6 min + 1. 0 min + 0. 9 min + 3 min = 6. 2 min/batch. Capacity = 480 min/day ? 10 min/batch = 48 batches/day x 10 pairs/batch = 480 pairs/day Assumptions: (Same as question 1 because all we changed was the batch quantity. ) My calculations are based on the assumption that the s tamp time in the cutting process is per component.Therefore, the time given is the time it takes to stamp 1 of the 4 components on one machine. Another assumption I have made is the workers performing the stitching are all equally paced. It takes each worker the exact same amount of time to perform their duties and pass the product along to the next group. Part B Now consider the factory as a system, and take into account interactions between the departments. 3. Assuming production is done in 100-pair batches, what is the factory’s daily capacity? Cutting 41 min/batch Stitching 133 min/batchLasting 33. 2 min/batch Capacity of the Factory = 480 min/day ? 133 min/batch = 3. 6 batches/day 4. What is the total MLT for a 100-pair batch? MLT Cutting= 41 min/batch Kitting= 10 min/batch Stitching= 133 min/batch Steaming= 6 hrs x 60 min = 360 min/batch Lasting= 33. 2 min/batch TOTAL MLT= 577. 2 min/batch Part C 5. How would you go about deciding the appropriate batch size for the Ston ehaven factory? What factors would you consider? How do they interrelate? (You may wish to do some calculations, but concentrate on thinking conceptually. 6. Focus only on your highest priorities for improving the production process at Stonehaven’s Gdansk factory (be specific). Explain why they are important. What actions do you recommend? How would you implement your recommendations? What do you predict will be the consequences? The most important factor a production manager must consider when determining the appropriate production level of a good is the efficiency of the process. A manager must determine what level of production utilizes the available resources to the fullest extent possible.Each step of a process will always be restrained by the other steps of the process as well as the available raw materials. As a production manager for Stonehaven, I would first analyze the individual steps of the process to make each individual step as efficient as possible. Then, I wou ld look to see how each step affects the others. It looks as though the stitching and lasting processes produce the same amount of shoes regardless of the size of the batch. Due to this fact, it seems as though the cutting process is where management should be focusing on and working towards bringing this step in line with the others.The cutting process can produce significantly more product than what the other two processes can handle. This makes me believe that we could utilize just two of the three machines. One could be devoted directly to the left shoe cuts and the other to the right shoe cuts. This would not only help with down time but also cut the expense of running a third machine. The third machine could be sold or kept on hand as a backup. There currently is no back up. If one of the machines fails, the entire process is held up and zero shoes are being produced.This would create a shortage of shoes on the shelf for customers to buy and increase the likelihood that the cu stomer will buy from someone else. If there was a back up machine, there may be a small delay in the process but significantly shorter period of time while the backup is getting up and running. The stitching process could be improved upon as well. It seems as though we could add another employee to Group 1 and decrease the amount of time it takes to process each batch to the same amount of time it takes Group 2 to process a batch.This would effectively eliminate the down time Group 2 currently experiences when waiting for product from Group 1. Another employee could be added to Group 3 to produce the same results. This would effectively decrease the amount of time the entire batch gets moved onto the next step in the process. The only aspect of the lasting process that I see could be improved upon is the distribution of duties. Significant wait time could be eliminated at this stage in the process if one employee took on more duties that would even out the amount of time at each sta tion.Or, additional employees could be used to separate the duties the employees are currently performing. Either way, each station would be waiting less time to receive the product and thereby possibly increasing the amount of production for the entire facility. Now that we have analyzed each step individually, we must now look at the entire process as a whole. Stitching is the step of the process that takes the most amount of time to perform. The key is to find the best batch size that complements the other processes in respect to this step.The smaller the batch in the stitching process, the quicker the product is passed through the process to the next step. The manager must determine the appropriate batch size so that there is minimal wait time between the stitching and lasting processes. Some other ways to improve this process is to configure it in such a way that the process runs smoothly without significant wait times. There isn’t really anything the employees in the ot her stations could be doing to create value to the process while they are waiting on more products to produce.So, the most important goal of the manager is to figure out a way for the entire process to run fluidly. Once this is achieved, inventory between the stations would be decreased to zero. The process would be so perfectly timed that the product would arrive at its destination at the exact time it is needed. This is the ideal goal of a production manager. The fewer inventories being held, the less cash is being held up on the shelf and the more is being sent out the door. The most important aspect of this process to the production manager is making sure the process is configured in the most efficient way.This specific process should be altered to bring the cutting process in line with the rest of the steps. However, if the manager had the funds to significantly increase employees in the stitching and lasting areas, these could be brought back in line with the cutting and Stone haven could produce significantly more shoes than they are currently producing. However, the issue at hand in this scenario is the amount of funds that this will require. The best way to increase revenue is by removing one of the cutting machines, increasing a couple employees in the stitching department and realigning the duties in the lasting department.